Juan manuel de prada

Tears in the rain program

22:15In one of Juan Manuel de Prada’s soaring reflections, I lean over to see if he is growing wings similar to the ones Montanelli wanted to see hidden under Berenson’s tuxedo, the ones that made him levitate with magisterium and without effort. «The artist, the writer,» says De Prada, although it is wrong to say it, «is chosen by God: no one is made more in his image and likeness than he is, because he is a creature and, at the same time, a creator.

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7 Baracaldo, (1970- ). Juan Manuel de Prada, writer and columnist, surprised from his first creations by his imaginative audacity and his dazzling use of language. His beginnings are stylistically linked to Ramón Gómez de la Serna, with whom he shares a taste for subtle irony. Prada has won several awards, including the Premio Planeta, the Premio de Narrativa Ojo Crítico and the González Ruano Award for journalism. He was awarded the Biblioteca Breve 2007 Prize for his work El séptimo velo Author biography
Baracaldo, (1970- ). Juan Manuel de Prada, writer and columnist, surprised since his first creations for his imaginative audacity and his dazzling use of language. His beginnings are stylistically linked to Ramón Gómez de la Serna, with whom he shares a taste for subtle irony. Prada has won several awards, including the Premio Planeta, the Premio de Narrativa Ojo Crítico and the González Ruano Award for journalism. Winner of the 2007 Biblioteca Breve Award for his work El séptimo velo.

Father castellani

J. P. A.: Thinking about the interview, I remembered when in the Cordoba of my youth people began to talk about you in the bars where some of us apprentice writers gathered. How do you remember that time, when you were a boy who already lived to write and won all the story prizes of municipalities and counties?
J. M. de P.: Don’t believe it, not at all. It’s a novel I wrote because I liked bohemian literature, I liked those novels that were fresh from an era, but I never thought of it as a novel of great ambition, or anything like that. In fact, from an imaginative point of view, I have more ambitious novels, and it was a novel that gave me everything done.
J. P. A.: In Lucía en la noche, as in La vida invisible, there is a protagonist who reminds us a lot of you. In Mirlo blanco, cisne negro, Alejandro Ballesteros, the protagonist of La tempestad, returns. They are novels that ooze life, but without autofiction.
J. M. de P.: In the first part of the novel you play a lot with the possibility that Lucia is an angel or a muse created by Alejandro himself. I believe that love is a feeling that is waiting for you to open the door at all times, yes, but it has to have a real basis. I don’t believe in ideal love, or less and less, I think it needs a real support.

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JUAN MANUEL de PRADA nació en Baracaldo, España, en 1970. La Tempestad obtuvo el prestigioso Premio Planeta en su publicación en España, en 1997, y ha vendido más de 400.000 ejemplares sólo en sus ediciones españolas. Los derechos en lenguas extranjeras se han vendido en dieciséis países. De Prada recibió el Premio Primavera 2003 por su última novela, La vida invisible.
Alejandro Ballesteros, un joven historiador del arte español, llega a una húmeda e invernal Venecia para estudiar La Tempestad de Giorgione, el magnífico cuadro que le obsesiona desde hace años. Pero en su primera noche en la enigmática ciudad, Alejandro es testigo de un espeluznante asesinato y rápidamente se ve envuelto en una peligrosa red de engaños. La víctima del asesinato es Fabio Valenzin, un notorio falsificador y traficante de obras de arte robadas que, resulta, tiene estrechos vínculos no sólo con Gilberto Gabetti, el director de la Accademia donde cuelga La Tempestad, sino también con la encantadora hija de Gabetti, Chiara.
Explorando los límites entre el arte y la realidad, el intelecto y la pasión, La Tempestad es una novela fascinante y apasionante de uno de los novelistas más dotados de España -El New Yorker recientemente aclamó a de Prada como «uno de los escritores jóvenes más prometedores de Europa».